Las óleos de todo George Hendrik Breitner


Choice ID Image  Painting (From A to Z)       Details 
93333 A Brown and a White Horse in Scheveningen  A Brown and a White Horse in Scheveningen   between 1880(1880) and 1923(1923) Medium oil on panel Dimensions 26.5 x 37 cm (10.4 x 14.6 in) cjr
96349 An Evening on the Dam in Amsterdam  An Evening on the Dam in Amsterdam   circa 1890(1890) Medium oil on canvas Dimensions 96.3 X 180 cm cyf
88236 Cavalry at Rest  Cavalry at Rest   1885(1885) Medium Oil on canvas Dimensions 50 x 75 cm (19.7 x 29.5 in) cjr
93339 Cityscape in The Hague  Cityscape in The Hague   between 1880(1880) and 1923(1923) Medium oil on panel Dimensions 24.5 x 32.5 cm (9.6 x 12.8 in) cjr
93020 Demolition of the Grand Bazar de la Bourse in Amsterdam at the Nieuwendijk  Demolition of the Grand Bazar de la Bourse in Amsterdam at the Nieuwendijk   between 1893(1893) and 1897(1897) Medium oil on panel Dimensions 25.5 X 47 cm (10 X 18.5 in) cjr
93332 Four Cows  Four Cows   c. 1880(1880) - c. 1923(1923) Medium oil on cardboard Dimensions 36 x 41 cm (14.2 x 16.1 in) cjr
71590 Girl in a White Kimono  Girl in a White Kimono   Dimensions 59 cm x 57 cm
23147 Girl in Red in Red Kimono (nn02)  Girl in Red in Red Kimono (nn02)   c 1895 Oil on canvas,19 11/16 x 27 9/16'' Stedelijk Museum Amsterdam
90085 Hussars  Hussars   between 1880(1880) and 1890(1890) Medium oil on canvas Dimensions 42 x 67 cm (16.5 x 26.4 in) cjr
93341 Lunch Break at the Building Site in the Van Diemenstraat in Amsterdam  Lunch Break at the Building Site in the Van Diemenstraat in Amsterdam   1896 - 1900 Medium oil on canvas Dimensions 78 x 115 cm (30.7 x 45.3 in) cjr
93342 Neighborhood in the Jordaan, Amsterdam  Neighborhood in the Jordaan, Amsterdam   between 1880(1880) and 1923(1923) Medium oil on panel Dimensions 40 x 25 cm (15.7 x 9.8 in) cjr
91242 Promenadendeck mit drei Damen  Promenadendeck mit drei Damen   c. 1897(1897) Medium oil on canvas Dimensions Deutsch: 57 x 59 cm cjr
83901 Reclining nude  Reclining nude   Date ca. 1887-1888 Medium Oil on canvas Dimensions 95 x 146 cm (37.4 x 57.5 in) cjr
88271 Reclining nude  Reclining nude   1887-1888 Medium Oil on canvas Dimensions 95 x 146 cm (37.4 x 57.5 in) cyf
54282 The Dam  The Dam   mk235 c.1891-1893 Oil on canvas 100x153cm
58280 The Dam  The Dam   The Dam, Amsterdam (c.1895) Watercolor 40 x 51 cm Rijksmuseum, Amsterdam
54280 The Earring  The Earring   mk235 c.1893 Oil on canvas 84.5x57.5cm
93335 The Lauriergracht at the Tweede Laurierdwarsstraat  The Lauriergracht at the Tweede Laurierdwarsstraat   between 1880(1880) and 1923(1923) Medium oil on panel Dimensions 41 x 32.5 cm (16.1 x 12.8 in) cjr
93336 The Leidsegracht in Amsterdam  The Leidsegracht in Amsterdam   between 1880(1880) and 1923(1923) Medium oil on panel Dimensions 24.5 x 32.5 cm (9.6 x 12.8 in) cjr
93334 The Prinsengracht at the Lauriergracht, Amsterdam  The Prinsengracht at the Lauriergracht, Amsterdam   between 1880(1880) and 1923(1923) Medium oil on canvas Dimensions 70 x 100 cm (27.6 x 39.4 in) cjr
23146 Three Women on Board (nn02)  Three Women on Board (nn02)   c 1897 Oil on canvas,22 7/16 x 19 11/16'' Stedelijk Museum Amsterdam
90767 Winter in Amsterdam  Winter in Amsterdam   c. 1900(1900) - c. 1901(1901) Medium oil on canvas Dimensions 95 x 192 cm (37.4 x 75.6 in) cjr
96350 Women on the Rokin  Women on the Rokin   circa 1895(1895) Medium oil on canvas Dimensions 135 X 185 cm cy

George Hendrik Breitner
Dutch Painter, 1857-1923 Dutch painter and photographer. He trained as a painter and draughtsman at the academy in The Hague. Although the Dutch painter Charles Rochussen taught the students history and landscape painting, Breitner's interests did not lie in this area. In 1880 he worked for a year in the studio of Willem Maris after his academy training. Maris belonged to the Hague school of painters, who worked in the plein-air tradition of the French Barbizon school. Breitner painted outdoor life with them, although it was not the picturesqueness of the landscape or the Dutch skies that appealed to him. With Van Gogh he roamed the working-class districts of The Hague and through the dockyards of Rotterdam. Both artists recorded the vitality of city life in their sketchbooks. Breitner consciously chose these themes and motifs: he wanted to paint people going about their daily lives



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